Greetings

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Welcome to the Creative Weaving Blog.
We look forward to sharing with you our love of weaving and especially the joys of using the rigid heddle loom to make unique and exciting fabrics for clothing.

Follow us on our journey of design and construction using the vast array of yarns and fibres now available. Get a taste for colour and texture inspired by nature and the universe. Well, lets get weaving…..  CLICK on the Picture to find out more

March Madness!

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During this rather unusual period of time I thought it would be fun to look at different crafts and skills that in the past I have not felt I had time to teach myself or learn.  One of these is making soft toys and dressing them up in handwoven outfits!!

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I made this little chap, whose name is Eddie from this delightful book of Wee Wonderfuls that has a variety of simple dolls and puppets to make with their clothing.  There are lots of line drawings and good instructions, so very easy to follow.

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For the jacket I used a small remnant of handwoven cotton fabric, made on the rigid heddle loom.  I covered the wrong side with woven iron-on interfacing to give the small piece strength and then sewed the seams by machine but added the binding by hand.

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The trousers were made from another remnant left over from some dress fabric that I had woven on my rigid heddle loom using ribbon yarns and lurex.  I put the woven iron-on interfacing on the wrong side as before but did the hems and seams by hand.    The clothing patterns are supplied in the book for each doll and it was such fun to use up my off cuts of handwoven fabric that I had saved for so long!

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Having these extra days to try out new ideas and more importantly take the time is a hidden opportunity in these times ahead.  I hope you will all enjoy weaving on your rigid heddle looms and trying out new ideas in the coming months.

Happy weaving from us both

 

Leaping into Spring!

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This month we are revisiting an old friend, that is an old design, pattern GW DR009 which has been such fun to wear that both Sarah and I wanted to make a new version.

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This time I chose a blue wool warp which I had dyed in the summer with indigo so some of the skeins were darker than others but I decided that would be interesting.  I also added a small amount of lurex yarn and some linen and silk  yarn from Noro.  The threading was quite random.

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I used my Ashford 16″ (40cm) rigid heddle loom with a 7.5dpi (30/10cm) reed as the mohair yarn was quite thick.  The weft was handspun wool and alpaca, also dyed with indigo at the same time as the warp so they were very similar in tone.

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I always use the iron-on woven interfacing along all the cut edges before overlocking or zig zagging over the cut edge.  This will ensure that all your seams are secure and make sewing your beautiful hand woven fabric very easy.

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The pattern has two styles of pocket which are lined with cotton fabric before attaching.  They are a feature of the design as well as being very useful.

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I always look for a special button for the straps and these were a gift from Sarah many years ago but their wait to find a good home was worth it, I feel sure!

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Here is Sarah wearing her new version of this wonderful pattern.  It is so versatile and great for showing off feature yarns in your handwoven fabrics.   This and many more patterns designed by Sarah especially for handwoven fabrics made on the rigid heddle looms can be found on her etsy site.         etsy.com/uk/shop/Getweaving 

Happy weaving from us both.

 

 

 

Cushions to start the New Year

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After all the colour and decoration of Christmas it felt time to create a more plain and neutral look for the house and these muted colours of grey, blue and yellow seemed just right for making new cushions for the sitting room.

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Using yarns from my stash I chose the rug wool for the warp and the chunky wool for the weft for two of the cushions, varying the threading to get a different look. For the third cushion I used a yellow wool slub with a closer sett in the reed.

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I used my Schacht 20″ (50cm) rigid heddle Flip loom with a 5dpi (20/10cm) reed threading every hole and slot. The warp was 60″ (152cm) long and 20″ (50cm) wide (this allows for loom wastage and shrinkage) .  I washed the finished length in hot soapy water and gave it a good pummelling so that the yarns would really come together and make a strong fabric suitable for upholstery. Before sewing the cushions together I put the iron-on woven interfacing over the whole piece of woven fabric to make it very secure and help the cushion keep its shape.

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Making small projects for the home is such fun and a great way to get to know your rigid heddle loom so if you were one of the lucky ones to receive one as a gift why not give these a try.   I have made three cushions so far but I think I shall make several more and try out different threadings, keeping to the same colour palette.   It has been a very enjoyable winter project using plain weave and the ever versatile the rigid heddle loom.

Happy weaving from Elisabeth and Sarah

Ecological Seasonal Gifts

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All this year we seem to have been talking about trying to use less plastic in our homes and for our everyday needs.  With this thought in mind I decided to weave my friends a useful and ecological present made from natural fibres.  I chose from my stash a natural jute yarn for the warp and a thick cotton yarn for the weft.

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This idea and many others came from this very versatile book on making the most of your  rigid heddle loom.

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I used my little, 12″ (30cm) rigid heddle loom with a 10dpi (40/10cm) reed,  threading up the centre part of the heddle with the jute yarn in every hole and slot.  I then wove 14 picks of the thick cotton before beginning the loops which are created by lifting the cotton thread over a knitting needle with the help of a crochet hook.

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The first six threads of the warp are kept as plain weave (as are the last six) to make a selvedge around the loops. After each row of loops I wove three rows of plain weave to anchor down the loops.  Repeat the 14 rows of plain weave to complete your square.  Remember to wash your finished length of weaving (before cutting it up into individual squares) in hot, soapy water to allow the fibres to come together and to make the thick cotton yarn fluffy!

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If  you would like to make clothing from your handwoven fabrics made on your rigid heddle loom you might enjoy our book GET WEAVING which will guide you through the process of choosing yarns, looms, weaves and basic construction.  Sarah also has a good range of sewing patterns especially designed for narrow widths of handwoven fabric. They can all be found on her etsy shop.         etsy.com/uk/shop/GetWeaving

We wish you a very Happy New Year and HAPPY WEAVING 

 

 

 

 

Zip up Jacket for Winter

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This month we are featuring Sarah’s latest sewing pattern for a zip up jacket using handwoven fabric made on the rigid heddle loom.

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The warp for this project is a mixture of cotton and ribbon yarns.   The weft is a handspun wool and alpaca yarn which is soft to the touch and has a lovely drape.   Using a 10dpi (40/10cm) reed the warp and weft sit comfortably with each other, leaving little gaps which close up when the fabric is washed.

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Washing your handwoven fabric is essential before you start cutting out.  I always try to put mine out on the line on a windy day to allow the yarns to fluff up and come alive. The warp was 240″ x 15″ (609cm x 38cm) woven on a 20″ (50cm) rigid heddle loom.

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The fabric, after washing measured  200″ x 13″ (508cm x 33cm) so there was very little wastage after cutting out.  When cutting out, lay your pattern onto a single thickness of fabric. This will ensure that all the pattern pieces will fit onto your handwoven length and will make cutting very accurate.

20191015_142822Always remember to use the woven iron-on interfacing along all the cut edges before overlocking or zigzagging over the raw edge.  This will protect your seams and provide a lovely smooth surface to stitch over, especially helpful if you have any chunky or metallic threads in your weaving which would like to hook themselves around the sewing foot!

DSC02051This sewing pattern # GW. JA013 in sizes S-XL is available from Sarah’s Etsy shop  esty.com/uk/shop/GetWeaving     We hope you have fun planning  this and other projects on your rigid heddle loom and using it to create wonderful, unique fabrics.

HAPPY WEAVING

 

Autumn Colours

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The autumn colours are really good here in Suffolk this year so I decided to make an autumnal jacket with a piece of handwoven fabric that I felt matched the mood.

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The fabric was woven on my 16″ (40cm) rigid heddle loom using the 7.5dpi (30/10cm) reed, threading every hole and slot.  I had intended for the warp to be all green but found that I was running out of yarn with still a quarter of the reed to thread. Using some hand spun yarn in a contrasting colour I finished the threading making sure I had just enough green left to make the selvedge. (Always use the same yarns for each selvedge so that when the loom is tensioned it will pull evenly).  The weft was a soft, variegated singles, bought in a charity shop!  The softer colours of the bought wool muted the bright green of the warp, making a more subtle colour way.

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Having woven 200″ (508cms) of this fabric I could not think how to use it.  The stripe down one side just did not appeal. Then I thought, why not cut the length in half, width wise, join the green edges together, then I would have a piece of fabric approximately 100″ (254cms) long by 28″ (72cms) wide.  I could then lay my jacket pattern (# JA003) onto the fabric so that the hem of the garment and the sleeves were on the selvedge (so no need for hems) and the contrasting stripe (in the warp) would run across the shoulders and sleeves and around the hems!

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Woven with wool using the 7.5dpi (30/10cm) this fabric has a lovely soft feel and is easy to sew. The pattern design makes it feel more like a cardigan to wear than a jacket with a warmth and lightness for these autumnal days.  It certainly does have a join that runs across the entire jacket but it is so evenly placed that it seems to work.

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To finish the front seams I used a satin binding which I then topstitched to give a crisp outline to the otherwise uncluttered front edge (look, no buttons!).  The skirt (pattern # SK002)  was made sometime ago and has the same weft but a different warp. It is always interesting to see how changing the warp or the weft can give you so many different results  .  Both these garments were made using the GET WEAVING sewing patterns available from etsy.com/uk/shop/GetWeaving.   We hope you have some fun playing about with your hand weaving and enjoying the freedom of the rigid heddle looms.

Happy weaving from Sarah and Elisabeth

 

Last of the Summer Wine

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Just before the summer winds down it is always good to weave some bright fabrics to carry you into winter. This tunic is a really simple shape with all four pieces of pattern the same size with no shaping or darts.  It slips easily over the head and can be worn with or without a tee shirt underneath.

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For my warp I chose a mixture of cottons, silks and linens as well as a few fancy yarns with a shiny finish to add sparkle.  Mixing different yarns in the warp is fine as long as you remember the golden rule to always have the same yarn for both selvedge edges.  This way when you tension your warp it will pull evenly and you will have a good selvedge.

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I wove this fabric on a 16″ (40cm) rigid heddle loom using a 7.5dpi (30/10cm) reed.  I needed a 140″ (356cms) plus 20″ (51cms) wastage so I made my warp 160″ (406cms) long, using each yarn randomly threaded so that the finished fabric would not be too stripy.  I used the full width of the reed so that after washing I would have just the right width for each piece of pattern.  I used a ribbon yarn and cotton yarns for the weft and wove 2 picks of each yarn, beating firmly but not too hard as I wanted to see a balanced weave (where both the warp and the weft show evenly).  Any small gaps or unevenness always disappears after washing the fabric so don’t feel you need to beat it down too hard!

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After cutting out the fabric I always apply thin strips of iron-on woven interfacing before zig-zagging or overlocking around the cut edges.  This woven interfacing will give you complete security over any seams unravelling.  It also provides a smooth and flat surface for your sewing machine foot to glide over.

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I like to overlay the front and back seams when constructing the garment to make the most of the selvedge.  This gives a nice flat finish which can be enhanced by top stitching using a large stitch.  No garment is complete without buttons!!  This is of course is my personal need so certainly not compulsory!   Finishing a garment is always fun and there can be so many ways to do this so take your time and see what suits it.

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I do think a pocket is fairly essential with our modern day needs.  I usually line the pocket with a matching cotton fabric.  This gives it strength and hides all the raw edges.

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Here I have teamed up the dress with a pair of trousers made on the 20″ (50cm) rigid heddle loom using a 10dpi (40/10) reed and a mixture of fine cottons.

Do hope you will have some fun experimenting with yarns from your stash to make this very useful top.  Sarah has lots of patterns in her Etsy shop designed especially to fit onto narrow widths of handwoven fabric so do take a look. etsy.com/uk/shop/GetWeaving

Happy weaving to you all.  Elisabeth and Sarah